Saturday, 19 December 2009

#28

#28 - In Bruges (2008)


Talk about a movie that took me by total surprise In Bruges is a hilarious movie about two hit men waiting around to get their next assignment. The movies two main characters Ray and Ken are played amazing by Colin Farrell and Brendan Gleeson, who were just great together. The movie really knew how to play for those dark comedy laughs, Ralph Fiennes really steals the entire movie in his small yet memorable role as Harry, the man in charge of everything. If you like Quentin Tarantino/ Guy Ritchie type films, In Bruges is right up your alley. You will be laughing but also praising the amazing acting going on. I cannot wait to see what the writer/director Martin McDonagh will do next. Movie currently sits at #185 on imdb's top 250 movies ever.

Friday, 18 December 2009

#29

#29 - Life as a House (2001)



This is one just struck a cord with me. I think Kevin Kline is a very underrated actor and he stars as a father who has to take care of his son while dealing with his own illness. Hayden Christensen plays his son, this was before he went to star in the Star Wars prequels.Christensen displays the acting that got him the role of Anakin Skywalker and he is good as the troubled son, acting like he never did in the Star Wars movies. Rounding out the impressive cast is Kristin Scott Thomas, Jena Malone, and Mary Steenburgen. This movie just made me feel all the emotion of a father trying to reach his son, I tend to be a sucker for dad and son movie and this one got me to shed some tears. The movie gives you hope despite all the death that surrounds it.

#30

#30 - Ocean's Eleven (2001) , Ocean's Twelve(2004) , and Ocean's Thirteen (2007)




So as you may have noticed I am using trilogies and just one movie, it is my countdown so I may do so. I have noticed a lot of other sites doing the same thing.


Any movie with Brad Pitt, George Clooney, and Matt Damon is just asking to be good. These movies were all highly enjoyable and plain fun. I am sure I have watched Ocean's Eleven at least ten times and the movie still oozes with coolness. The cons are smart and well done and having top notch director Steven Soderbergh helps. I will admit I wasn't a huge fan of Ocean's Twelve but thought Thirteen was able to capture the fun of the first movie. One day I will look back at these movies and think how did they got all these megastars to be in three movies together? (Not even mentioning Julia Roberts here, she appears in 11 and 12).

Honorable Mentions

If you do not like people having different taste in movies, I implore you to stop reading right now....still here? Okay you are going to have to be somewhat open minded. SPOILER alert, you will not agree or like many of these movies on my list. But that is what makes movies and cinema great! Everyone has their own tastes in film, what they love or what they hate. I am sure some people only see comedies and some only see art house films. Personally I saw a ton of movies from 2000-2009 and not all the movies I really liked even made this list. If you do decide to read my list please do not judge to harsh, this is just one film lover's opinion. I like action movies and funny movies a ton but I still enjoy a well made movie in general.

Without further wait, I present the movies which made an honorable mention but were not good enough for some reason to make my top 30 list:

Million Dollar Baby
Spiderman
Clerks II
The Departed
Shopgirl
Kiss Kiss Bang Bang
Gran Torino
The Hangover
Finding Nemo
Best In Show
Superbad
Traffic
Harold and Kumar Go To White Castle
The Ring
High Fidelity
(500) Days Of Summer
The Hurt Locker
Iron Man
Pirates of the Caribbean: The Curse of the Black Pearl

THE REINCARNATION OF PETER PROUD (1975) - the first incarnation


THE REINCARNATION OF PETER PROUD
(1975, USA)

Soon to be remade - but not on DVD


I must have just missed this in the cinemas back in 1975, but I caught the paperback (UK edition, pictured above). The photos spread in British monster mag World of Horror #9 (see below) intrigued me enough to want to see it.
But I never found it on British TV and so, thirty years later, I look around for a DVD to find it's not been released. This is why I'm still buying VHS! Back to eBay, and I found an 1980s' US release (with really nasty artwork, pictured below).

In recent years, there've been several films about Buddha plus Vincent Ward's spectacular What Dreams May Come, all of which treated reincarnation fairly straightforwardly. But in the 1970s, the only genre interested in 'life after death' was horror. The Reincarnation of Peter Proud wasn't a big hit, so it's a surprise to see that director David Fincher (Fight Club, Se7en) is currently interested in a remake. it's an odd choice, but could be very interesting if it happens.
Peter Proud is having recurring dreams, of places he's never been, people he doesn't know, and in a time before he was born. Vividly, he also feels that he's been swimming in a lake at night, just before being violently murdered. While he tries to stop the dreams through sleep therapy and psychoanalysis, he starts to recognise elements of these dreams in real life. They're not in his imagination after all. A car, actual landmarks and eventually faces that are all familiar.

Past-life regression was one of many psychic bandwagons that got popular. Hypnotism helped people remember the experiences of their former selves (just before they started remembering alien abduction scenarios). When science fails him, Peter has to seek the advice of less conventional experts... But he quickly (too quickly) decides he's reincarnated and sets off in search of who he was in his previous life...

This is a very seventies, very adult thriller, strong on a sexual theme. It's a good example of just how far you could go in a mainstream film. While the men flashed their chests and bums, the women were expected to go further, more often - while baring their chests was a big deal,
full frontal nudity was both encouraged and permitted.

Two of the actresses seem to have been picked for their willingness to get sexual, rather than be able to act.
The result is that the film opens rather shakily with some rather flat punny dialogue. Not helped by Corinne O'Neil (Peter's girlfriend, Nora) who exclaims her way through the early scenes. But she looks good in bed, so she got the part I guess. There's a bizarre scene where even a helpful teenager tries to vamp Peter, and seems disappointed that she doesn't get jumped. Her only reason to be in the film is for a car washing scene in cutoff denim shorts - all very seventies. She's useless to the plot, except for making Peter look less like Mr Average and more like James Bond.

The acting settles down when Margot Kidder (inbetween Black Christmas and The Amityville Horror) and Jennifer O'Neill (before Scanners and Cover Up) get involved, though both get compulsory sex scenes. Kidder famously also gets very naked in the bath, during a flashback of a sexual assault. In true 70s style, it's ambiguous whether she's actually enjoying the memory.

But there's also man-flesh. Michael Sarrazin (pictured below on the CD cover) was a body beautiful back then, swanning around in a towel in Eye of the Cat, and being the perfect physical creation for Frankenstein - The True Story. But his physique is outclassed by actor Tony Stephano (also in Tron but nothing else), who reminds me a lot of Joe Dallesandro (Blood for Dracula, Flesh For Frankenstein) who, as far as I'm concerned, looked like raw sex. Stephano was also extremely fit and gets to show it all off, well, almost all. I also think that it's Stephano who's in the 'screaming' movie poster, and not Sarrazin.

From the end of the sixties (They Shoot Horses Don't They?, The Flim-Flam Man) through most of the seventies (For Pete's Sake, The Gumball Rally) Michael Sarrazin was a leading man. But none of his films have endured with any sizable success to keep his career outside of TV work, or ensure any sort of comeback like, say, Burt Reynolds. But at the time he was big and almost always the star. Good in both comedy and drama, he also did mainstream fantasy - Peter Proud, Frankenstein, Eye of the Cat and The Groundstar Conspiracy (where, after he survives a huge explosion, the authorities aren't sure whether or not he's an alien). I last saw him in the two recent Harry Alan Towers adaptions of Harry Palmer novels (Bullet To Beijing, Midnight In Saint Petersburg), the return of Michael Caine's cold war spy.

The excess of swinging sex is matched by 70s visuals, mostly frantic intercutting as the past 'flashes' into the present, when Peter's "pre-natal memories" start catching up on him. Like Close Encounters of the Third Kind, he accidentally catches one of his dreamed images on TV. Like Friday the 13th, the trail of clues leads to Crystal Lake... I'm not making this up, see it for yourself!

The film is quite hypnotic. Maybe because it's from a different era (it feels odd to be looking back in time at a film that's looking back in time), but it has plenty to offer as a mystery, as to how it's all going to pan out. Also, it's not coy! I don't think there's nearly as much sex or nudity in mainstream horror (or thrillers) at the moment. There are some surprises from the director J. Lee Thompson (Happy Birthday to Me, Cape Fear (1962), Conquest of the Planet of the Apes) as well as the actors. Interesting to see Margot Kidder playing in two different timeframes, old and young - let down slightly by the old-age make-up.

The rather linear, inevitable storyline has only one place to go... I guess An Occurrence At Owl Creek Bridge (1962, a short film showcased in The Twilight Zone) could've been more of an influence here than any real-life case.


For me the film was also spoilt by most of the publicity shots coming from the closing seconds of the movie!
Audrey Rose (1977) also presented reincarnation as horror material and was a much bigger hit, perhaps because Anthony Hopkins was already a bigger star, but it bored me tears at the time and was certainly not as downright dirty.

Once again, the soundtrack was released on CD (pictured) while the film hasn't made it to DVD. Jerry Goldsmith's haunting score helps the film immeasurably, and includes some spooky burbling synthesizers to clue us in that we're on the edge of something strange.
As far as I can tell, The Reincarnation of Peter Proud last surfaced on home video in America on VHS. Hopefully David Fincher's project will revive interest in Max Ehrlich's novel, and inspire a DVD release. But perhaps Margot isn't keen on any more exposure...


This 1975 issue of World of Horror gave me an appetite to see The Reincarnation of Peter Proud. Full of cartoons, fiction, movie news and gory colour photos, you can see that Fangoria wasn't the first magazine to have shocking front covers. The cover girl is Sheila Keith in Frightmare! Very eye-catching!

Tuesday, 15 December 2009

Niners on Monday Night Football

Niners win last night on Monday Night Football got me thinking to the glory days, I was looking on You Tube and found this 1992 Joe Montana comeback game against the Lions. It was Joe's return from nearly two years of not playing. He was put in during the second half. This clip is even cooler because it has the into to the game 90's style. It takes me back to when the niners were always in the playoffs and MNF was usually a great game. Oh and stay tuned after the highlight for an interview with Montana and TE Brent Jones, they even mention Rickey Henderson...lol...

IT! (1967) - the golem from Merton Park Studios


IT!
(1967, UK)

Not the one with the killer clown...

 I wouldn't have bought this on DVD if IT! hadn't been on a double-bill with The Shuttered Room. But seeing a decent presentation of IT! has actually increased my appreciation of IT!. I used to dismiss this as one of my least favourite British horrors, but now IT!'s looking better than ever.

IT!'s still not great, but IT!'s never boring. I'm fascinated that IT! was made close to where I live. IT!'s also the only English-language movie about the golem, the mythical avenger from Jewish legend (more about the golem movies here).


After a warehouse fire, the museum owners are relieved and a little perplexed that a statue has survived completely unscathed. A further surprise is that the statue can be reanimated, follow orders and is virtually indestructible. Knowledge is power, but the only one who knows about it has small dreams, using the golem to get his boss's job and the girl of his dreams.

Quite an ambitious story for Merton Park Film Studios, this also has recognisable locations, by the River Thames at Hammersmith Bridge and in front of the Imperial War Museum. There are even a few visual effects of varying success, though nothing to match the potential scale of the story - especially in the climax. There's some simple modelwork on display and IT! has an impressive monster suit.


An added twist is that the man with the power is a little bit Norman Bates. He still keeps his mummified Mum around the house - a dessicated corpse almost more impressive than the golem outfit. I'd assumed that IT! looked melted because of the warehouse fire, but we soon learn IT!'s indestructible! I'm now guessing that the film-makers couldn't breach any copyrights by using the look from previous golem movies, hence the very different face.


With so much meat for a horror story, the film falls short by lacking in atmosphere and pulling its punches with any action scenes. There's plenty of murder but it's unimaginatively shot and mostly offscreen. It it wasn't for a semi-nude scene by Jill Haworth, IT! could easily pass with the lowest rating.


The fun is in the cast - Roddy McDowall is the main man, the year before he became his most popular screen character - an ape. As Cornelius, then Caesar, then Galen in the Planet of the Apes franchise, where he appeared in four of the original five films, as well as the TV series. He was also no stranger to the horror genre (like The Legend of Hell House, Fright Night) and is as famous for his voice (The Mad Hatter in Batman: The Animated Series and VINCENT in The Black Hole). Here he's at his paranoid best, especially in a nightmare scene that illuminates his character's obsessions far more than his dialogue does.


The obsessional love interest is Jill Haworth, who found fame in Exodus, but soon slipped into genre roles. She was in the classic The Outer Limits ('The Sixth Finger' episode), as well as Tower of Evil, and my favourite of hers The Haunted House Of Horror. In IT! she's less pro-active than her other roles, reduced to the classic 'mummy carrying a girl' cliche that ad-men loved to use in their posters.

Canadian-born Paul Maxwell was getting plenty of work in the sixties, adding an authentic North American accent to movies aimed at the international market. Here he gets some onscreen heroics to match his macho voice, which was so useful for beefing up Gerry Anderson's puppet characters. Maxwell voiced Steve Zodiac, the space-hero of Fireball XL5 and Captain Grey from Captain Scarlet and the Mysterons. Here's a chance to see him in the flesh.

Horror fans may spot a young Ian McCulloch, before he became one of TV's original Survivors and famously battled the Zombie Flesh Eaters, but he barely gets a word in, in this his movie debut.


The movie has been digitally remastered anamorphic widescreen, and definition and Eastmancolour have never looked better. IT! is on a double-bill DVD with the Lovecraftian The Shuttered Room (pictured above).

Now I'm off to look around for the strange castle used in the climax - it's got to be around here somewhere...