Thursday, 16 January 2014

Flashback 1978 (part two) - GREASE, HOOPER, CONVOY...


Photoplay, June
Yesterday's horrors are today's gold dust - Kingdom of the Spiders and The Redeemer were both released on DVD in 2012. At the time they didn't tempt me into the cinema, but low-budget exploitation soon had a second chance at success when home video became hungry for horror.



Photoplay, June
A sequel to SWEENEY. I thought this was just as violent as the first, but it only scored an 'AA' certificate.




Photoplay, July
Nichelle Nichols, Leonard Nimoy, William Shatner and Persis Khambatta (with hair) at the press conference that announced Star Trek - The Motion Picture was finally to become a reality - after years of stalled projects.




Photoplay, July
Jack Jones stars as the pop singer making The Comeback in one of Pete Walker's best horrors.
Film Review, July
Publicity photo of Jack Jones with young Pamela Stephenson - she became famous not for her movie roles, but for being one of the Not The Nine O' Clock News team.




Photoplay, July
The Wild Geese attracted a storm of negative publicity for shooting in South Africa while there was still strict apartheid there, despite the production working hard to have an integrated crew.


Film Review, July
"Read the book, then see the film." No thank you, that would spoil it completely...




Photoplay, July
Tippi Hedren (star of The Birds) trying to prevent a lion from mauling her daughter, Melanie Griffith, during one of many unplanned accidents during the making of Roar! In fact, the production had so much trouble, it didn't get released until 1981.

Much more about Roar! here.




Photoplay, July
Tim Curry did his best to escape the image of Frank N. Furter (of The Rocky Horror Picture Show) by appearing in an ITV drama series about the life of Shakespeare. 






This Miami Herald TV guide was a souvenir from my summer holiday that year. It contained an early preview of the forthcoming Star Wars homage, Battlestar Galactica. 


See also this article from 2010 about the eight movies that I caught during that holiday in the US, before any of them had been released in the UK.




Photoplay, August
Warlords of Atlantis was the fourth and last family adventure from Amicus Productions, better known for their horror films. The miniatures of the undersea monsters were built by Roger Dicken, whose next job would be working on the various incarnations of the Xenomorph in Alien. More about Roger Dicken's creations here.




Photoplay, August
Full-page portrait of Michael Douglas, back when he was still a co-star. Seen here in a hospital outfit for one of the big thrillers of the year, Coma.




Film Review, August
A ten-year anniversary re-issue of Kubrick's 2001: A Space Odyssey looked more like Star Wars opportunism, especially as this poster solely uses a recommendation from George Lucas! I was happy to see it in the cinema again, though playing a Tom & Jerry (in space) cartoon beforehand was a rather confusing.




Photoplay, September
Flimsy premises for movies are nothing new. Convoy was originally a hit single about a truckers' convoy being chased by the police. Director Sam Peckinpah span that out into his most family-friendly feature. It also confirmed Kris Kristofferson as a star, but he was less charismatic than Burt Reynolds, and Convoy had less substance than Smokey and the Bandit. Looked great though, and my first experience of Peckinpah was rewarded with his trademark machine-gun editing and slow-motion action. 




Film Review, September
Disaster films ran out of disasters. The result was disastrous. If The Swarm had been played for comedy, it might have survived the critical mauling. A great cast trying their best not to be embarrassed by the scenario of killer bees. A new low for Michael Caine, though Jaws: The Revenge awaited. While I loved Irwin Allen's earlier disaster movies, this looked bad. I later caught it on TV.




Grease was the word and the movie and the soundtrack of hit songs that dominated the British charts all summer long.



Photoplay, October
Who's that wearing the Olivia Newton-John mask?




Photoplay, October
Ian Ogilvy (the star of Witchfinder General) fills Roger Moore's shoes in TV series The Return of the Saint, while Roger was busy being James Bond.




Photoplay, November
Before Drive, there was Walter Hill's The Driver, which doesn't have the style or the music that backed up Ryan Gosling, but the mythic characters and silent, mysterious, single-minded driver (Ryan O'Neal) was an influence.




Photoplay, November
Brad Davis, star of Midnight Express, sitting next to the real Billy Hayes (left), the subject of the film and author of the book. Director Alan Parker started a storm with the country of Turkey with his depiction of the people and their prisons. They were right to complain - the stigma of the film remained for decades afterwards.





Immediately after the first Star Wars, Harrison Ford never stopped appearing on movie magazine covers.




Advance publicity for Hooper, with Jan Michael Vincent (before Airwolf) and Burt Reynolds. Note Burt's silver Watkins jacket, all the rage at the time.
Film Review, December
Hooper! The late Hal Needham's ode to the undersung profession of stunt performers. Also great fun, without too much overindulgent comedy that make The Cannonball Run and Smokey and the Bandit sequels date so badly.




Film Review, December
An eclectic soundtrack, fleshed out with songs that barely feature in the film. Barbra Streisand somehow more prominent than Faye Dunaway, the star of Eyes of Laura Mars. Produced by her boyfriend, Barbra wanted to star in it. John Carpenter had scripted it but also wanted to direct. That honour went to Irvin Kershner.



Film Review, December
Remakes ahoy! Superb value double-bill, Roger Corman's original Piranha, directed by Joe Dante, supported by a reissue of Brian De Palma's Carrie (heavily pushing John Travolta's bit-part).




Photoplay, December
Because of the success of The Muppet Show, Frank Oz returned to puppeteering and voicing Miss Piggy for the making of The Muppet Movie - the very first one. The following year he'd be operating and voicing Yoda for The Empire Strikes Back. Then he became a director (Little Shop of Horrors, Dirty Rotten Scoundrels, Bowfinger...). The lesson being, if you want to be a director, stick your hand up a pig.




All these movie magazine Flashbacks are also listed in the sidebar down the right.

Lawrence of Arabia and more from 1963

Blow Up, The Trip and more from 1967


Barbarella, Witchfinder General and more from 1968


Rosemary's Baby, When Dinosaurs Ruled The Earth, Women In Love and more from 1969


M*A*S*H, Myra Breckinridge and more from 1970


The Devils, Deep End, double-bills and more from 1971






Monday, 13 January 2014

My 2013 Ranked

61. Sharknado*
60. A Good Day to Die Hard
59. Identity Thief
58. Bad Grandpa
57. G.I. JOE: Retaliation
56. Stand Up Guys

55. The Internship
54. Hansel & Gretel 
53. The Incredible Burt Wonderstone
52. Gangster Squad
51. Salinger
50. Dead Man Down

49. Olympus Has Fallen
48. Now You See Me
47. John Dies At The End
46. Oz: The Great and Powerful
45. The Heat

44. The Lone Ranger
43. We’re The Millers
42. The Great Gatsby
41. Man Of Steel
40. Elysium

39. RED 2
38. Evil Dead
37. Jack the Giant Slayer
36. Room 237
35. Oblivion

34. An Adventure in Space and Time*
33. World War Z
32. Thor the Dark World
31. Side Effects
30. The Conjuring

29. Monsters University
28. Pacific Rim
27. Behind the Candelabra*
26. The Last Stand
25. Warm Bodies

24. Clear History*
23. The Hunger Games: Catching Fire
22. Iron Man 3
21. 42

20. The Short Game*
19. Only God Forgives
18. The Way Way Back
17. The Hobbit: The Desolation of Smaug
16. Star Trek Into Darkness

15. You’re Next
14. Rush
13. Saving Mr. Banks
12. Spring Breakers
11. Captain Phillips



10.  The Kings of Summer -  Very had to choose what would eventually make the top ten list as many many other movies were well deserving to be on this list but Kings of Summer just had something going for it that kept me happy when I looked back on it. I knew nothing of this film before seeing it. The reason I saw it was because I had a free rental on Redbox and my wife liked the preview. I think I should listen to my wife more often (she also randomly chose to see Beats of the Southern Wild last year without me knowing anything at all about the film, and it made it #8 on my top movies of last year). Kings of Summer is the story of three friends who run away and build their own house in the woods one summer. What the movie really did well is portray the emotions we all have as teenagers who are growing up. The three boys are close friends but are all dealing with issues a typical teenager will have.  Moises Arias as Biaggio has what is one of my favorite comedic performances of 2013. I strongly suggest you see this movie if you can. 
Watched 10/3/13


9. American Hustle - I recently saw American Hustle and it easily was one of my favorite movies of the year. Director David O. Russell can seemingly do no wrong right now and it is paying off for us cinema lovers. He nails the atmosphere of the 70’s with the clothes, music, and look of the film. You have what is probably the best cast of 2013 in Amy Adams, Christian Bale, Bradley Cooper, Jeremy Renner, and Jennifer Lawrence. Russell can really get the best performances out his actors and does it yet again with this one. I found he really has a knack of having women give just career performances (his Silver Linings Playbook won Jennifer Lawrence an Oscar last year) and no different here again as Adams and Lawrence are both amazing.  American Hustle is a smart movie with amazing dialog.
Watched 12/22/13





8.  The World’s End – This is probably where you can tell this is not a typical Top Ten List of critically acclaimed movies.  The World’s End is done by one of my favorite directors, Edgar Wright who with this film completed the cornetto trilogy (Shaun of the Dead, Hot Fuzz, and The World’s End). The movie starts out as old high school friends reuniting to have a pub crawl but things go wrong and it leads to sci-fi elements. I won’t spoil too much of it as the twist could crawl into spoiler territory. Of course it features Simon Pegg and Nick Frost who once again form a great comedic duo. Wright has become of my favorite directors with his great attention to detail in almost every movie hes made so far.The World’s End is no different and fits in perfect with the other movies he has done with Pegg and Frost.
Watched 8/22/13 & 9/9/13






7.  Before Midnight – Up to this year I had never seen any of the other films in the Before series (Before Sunrise and Before Sunset) so I was spoiled in many ways not having to wait many years between each movie. I also think it threw me off because I saw the amazing love story between Jesse and Celine (played with amazingly realistic chemistry by Ethan Hawke and Julie Delpy). We have followed this couple from a chance meeting to being a fully fledged couple who are dealing with the realities of having children, career issues, and making a partnership work in our modern day. I believe this movie would be higher on my list if I hadn’t seen the two other movies so close to it before hand. I was in love with this couple and seeing the vicious and realistic reasons they were fighting in this movie sort of broke my heart in different ways. I am not sure if there has been such a romance as seen in these three movies and  I wouldn’t mind seeing these two talk every few years.
Watched 11/22/13


6. The Place Beyond the Pines – It has been a long time since I saw this movie and it was on the top of my list of much of the year. The Place Beyond the Pines was a beautifully shot film that deals with how fathers affect their sons.  The movie is broken up into different stories.: One features Ryan Gosling as a man who finds out he is a dad and he had to use his skills as a motorcycle performer to help support his family. Gosling gives an amazing and haunted performance, easily one of the best of his career. The other story features Bradley Cooper as a police officer who is rewarded for doing something that has left him broken.  The motto of the story is about trying to do the right thing but going about it in the wrong way. The movie looks amazing and the music and atmosphere just add to the the overall feeling of The Place Beyond The Pines. Go see this one as soon as you can.
Watched 4/21/13





5. Mud – Matthew McConaughey welcome back! I just wanted to give Mr. McConaughey a big shout out for his roles and performances of late. He has had a stellar (or soon to be Interstellar) last few years. Mud, Bernie, Killer Joe, Dallas Buyers Club, and Wolf of Wall Street have given me a new found respect for this once Ghost of Girlfriends Past star. He is amazing in Mud, he is Mud a man on the run who happened across two teenage boys who he quickly forms a bond with. You can feel the passion from everyone in the movie including the writer/director Jeff Nichols (Take Shelter) and the teenager  Ellis played wonderfully by Tye Sheridan, watch out for him in the future.  You really care about the characters in this movie because of all I have said in this review. The heart and soul of the movie is McConaughey who shines as Mud, you will be enthralled by his performance. He is well deserving of an Oscar nomination if not for this for another one his roles this year.
Watched 8/23/13



4.  This Is The End – I know this movie won’t be appearing on anyone best of list this year but I had to add it to my list because I found it to be one of the most enjoyable films of 2013. I really appreciate a movie that keeps me laughing almost all the way through and This Is The End was able to do that. When you have Jonah Hill, Seth Rogen, James Franco, Danny McBride, and Craig Robinson (not to mention dozen of great cameos) you have a lot to live up to and they just nail it in this movie.  I found myself laughing really hard and wanting to go see the movie right after getting out of the theatre, sure this won’t win anything but damn this is a movie you want to see again and again and that counts for a lot. I saw this movie more then any other new release in 2013. I own the bluray and I am sure to watch This Is the End whenever I want a good laugh.
Watched 6/13/13, 6/16, 6/23, 10/1



3. Prisoners -  There wasn’t a more intensely acted movie in 2013 I saw then Prisoners, you have stand out performances from Hugh Jackman and Jake Gyllenhaal and a cast of actors who do amazing work. The movie is not a movie you go into knowing it will be easy to watch as the story is about kindnapping of two little girls. The director Denis Villeneuve paints a dark and grey world, the movie never has any sunlight in it which sets up the bleak setting of the movie.  Gyllenhall is Detective Loki a man who feels what the families are going through and throws his heart and soul into finding the missing children. You really feel as if the people in the movie are real, they really made sure to make everything feel real from the homes to the families seen in Prisoners. Jackman is a man who won’t settle for waiting for his child to be found. He goes vigilante and kidnaps who he feels might have a lead to where his daughter is. I was mesmerized by the events of the movie as it kept me on the edge of my seat wondering if there really was any hope in this bleak and sad world of Prisoners. I really felt for the families and was nervous to see how this would end. I would say the movie reminds me of a David Fincher movie in many ways. This movie is hard to watch but the look, sound, and acting in the movie make it easily one of the most intense movie I saw in 2013.

Watched 9/24/13


2. The Wolf Of Wall Street -  Scorsese and DiCaprio team up yet again and give us what could be DiCaprios best performance to date. I wasn’t sure what to expect when I went to see The Wolf of Wall Street but it was probably one of the best experience I had in cinema this year (well second best..). I found this movie to be just full of energy and a damn fine film in almost every aspect (acting, directing, music, editing, etc).  This is the story of Jordan Belfort (DiCaprio) and his rise to becoming the big wig on Wall Street. The movie seems like it could be a serious drama but the movie is more of a very adult comedy where you get humor and lots of dark and prostitute humor. I really think they went all in on this and it really pays off.  Jonah Hill and Matthew McConaughey are both laugh out hilarious as wall street bankers. DiCaprio and Hill should be nominated when time comes, along with Scorsese and a bunch more people. This is a fine American film and I am glad someone is still making films like this. It was probably the fastest 3 hours of cinema I saw this year.
Watched 12/29/13



1. Gravity – This is not a movie this is an experience to be had and after the movie I had to take a breath because I seriously felt drained from this movie and that is something that I loved about it. There is so much more to touch on about this modern masterpiece! You have a great performance from Sandra Bullock who is working alone for most of the movie yet still keeps you very into the movie. Of course you have the great Alfonso Cuaron directing, he made the movie realistic as he could and his style is powerful and engaging. This movie has some of the best effects I have ever seen in cinema to this point.  You really feel like you are in space and get the utter isolation that comes into play with Bullocks character Ryan Stone. George Clooney also is the other star of the film and is his usual charming self. The story is simple but still very powerful; I didn’t expect that it would have the effect on me that it did end up having. There was simply not a more visually stunning and tense movie released this year. This is the reason while I attend cinema!
Watched  10/8/13


*- denotes made for TV movie or not released theatrically 

Saturday, 11 January 2014

WITCHFINDER GENERAL (1968) - Paul Ferris' soundtrack on CD


Paul Ferris' haunting soundtrack to Witchfinder General had been promised by De Wolfe music for, literally, years. It kept appearing and disappearing from Amazon listings and their website. Rather suddenly, in December, the CD appeared for sale again, but this time there was news on Twitter that people had actually received their copy! I wasted no time in ordering one.

Honestly, I've wanted this soundtrack for forty years, ever since first seeing it on ITV late at night. It's a memorable soundtrack, let alone one for a pivotal British horror movie. Ever since, I've been to listening to the film's audio on cassette, a habit started before days of home video, waiting for a soundtrack. It was never officially released as an album. A few tracks surfaced on vinyl in music libraries, (that I only heard last year), but now all the music is on this CD. Better still, it's been remastered from the original quarter-inch master tape.

The full track listing for the Witchfinder General CD is here on the De Wolfe shop website...




Interesting interview with Warren De Wolfe about forthcoming plans (possibly Curse of the Crimson Altar soundtrack) and their ongoing series of CDs that group library tracks used in cult movies and TV (like the original Monty Python TV series). Interview here on MovieMusic Italiano.

My look at the movie Witchfinder General here...



This blog is usually for articles rather than news items. While I constantly forward cult movie news on Twitter, I rarely blog it as well. Non-Twitter users are able to browse my @BlackHoleMovies Twitter feed without having to join Twitter. I swear it's not about cats and coffee, but pared down to interesting photos, articles and trivia that other Twitters have found.
See here... https://twitter.com/BlackHoleMovies

Also, I post the most interesting finds on the Black Hole cult movies Facebook page - I also let followers know the moment there's a new article on this blog.
Here... https://www.facebook.com/pages/Black-Hole-cult-movies/





Saturday, 4 January 2014

ONLY GOD FORGIVES (2013) - catching up with Nicolas Winding Refn


Don't ask me to pick my 'film of the year', but Nicolas Winding Refn's Only God Forgives was certainly a high point. I'm still watching everything else he's directed - here's the story so far...

Drive drew me in with its 1980s vibe and car-centric story. I loved it for being unpredictable, gorgeously shot and music-heavy, with characters and performances as intense as David Lynch used to produce. Similarly, the ultra-violence caused me to flinch and shut my eyes. It's probably very realistic, so I've heard.



But is Drive the pinnacle of director Nicolas Winding Refn's career? It was my entry point to his work and I then started at his beginning with the first of the Pusher trilogy, which turned out to be a good match for Drive. 




Another violent loner in an impossible fix. Though Pusher isn't at all stylised. It looks totally authentic, with unfussy, tight camerawork, all on location. Almost invisibly directed, I wasn't sure that any or all of the characters weren't playing themselves. Centred around Frank (Kim Bodnia) a street pusher, it was hard not to think of this as a documentary where the camera was somehow invisible. The only familiar face was a (bald) Mads Mikkelsen, who I remembered as 'Le Chiffre' from Casino Royale. The difference between those two characters demonstrate his huge range as an actor. 



Mads Mikkelsen and Kim Bodnia in Pusher
All three Pusher films are definitely worth seeing for Refn fans, but the first (from 1996) is the best. Describing the mechanisms of illegal drug distribution in a big European city (Copenhagen, Denmark - which has a huge international sea port). Detailing and humanising how the middle-men operate between the big guys who import drugs and the sellers on the street. When a deal goes wrong, Frank has to solve his cash-flow crises quickly, or face serious, merciless physical retribution.

The next two Pusher films didn't deliver the same hit in terms of street education, but rather continues following the other characters, for a fuller picture of how people in a high-risk business work outside the law, within the community. These aren't grandiose, organised, traditional families as represented in The Godfather, but shattered groups of dysfunctional people whose principal employment is trafficking,



Pusher was a startling and accomplished debut for Nicolas Winding Refn, shot around the city where he was born, acclaimed by the film-making hierarchy in Denmark. But, as he revealed in the 2012 documentary 'NWR', the two sequels were aggressively rejected, angering him so much that he vowed not to work in his home country ever again! He returned to America (having briefly lived in New York while growing up) to continue making films.

Trying some of Refn's later work, I didn't enjoy Fear X (2003) though it starts off very well. The surreal elements cheated and diffused the premise (John Turturro investigating the death of his wife) until it meant nothing at all. When reality becomes so remote, it was hard to tell what, if anything, was actually happening to the character. Perhaps I just lost the plot...




Refn's feature-length British TV episode of, er, Miss Marple, (Nemesis, 2007) stars Geraldine McEwan and Richard E. Grant, but shows absolutely no flourishes that distinguish it from any other TV drama. I'd love to know why he did this! 


There's still more Mads Mikkelson in Refn's Valhalla Rising and a Bane-like, beefed-up Tom Hardy in his breakthrough Bronson still to look forward to, LoveFilm permitting. 



In the meantime, came the chance to see a preview of Only God Forgives with a director Q and A afterwards. There were several such screenings around London in June 2013, before the official UK release. Presumably a strategy to give reviewers a chance to formulate their thoughts and maybe sync with early word-of-mouth (which proved to be polarised).



Luckily, I wasn't expecting another Drive, despite it having Ryan Gosling front and centre. And again, with violent revenge is at its core, like so many action films and thrillers. But little about Only God Forgives is predictable. Which I loved. If you want to impress me, show me something new.


Shot entirely in Thailand, it presents Bangkok not from the colourful bustle that tourists enjoy, but the dark backstreets and vivid colours of the underworld at night. For me, it really channels Bangkok. The traditional music, the carved wooden decor, the sound of rain on the streets all accurately and powerfully evoked the city. 



Julian (Ryan Gosling) manages a kickboxing arena as a front to sell drugs. When his brother is killed by a retired cop, it's up to him to get revenge. But Julian is traumatised by obsession and needs motivating by his appalling mother (Kristin Scott Thomas) to uphold family tradition.



Cliff Martinez is called on for a very different soundtrack. Again, don't expect 80s synths, but expect a great soundtrack, with Thai karaoke and terrifying ambience. Visually drenched in psychedelic, saturated colours. Stark, beautifully composed cinematography. A woozy pace and surreal scenarios.


Dialogue is kept to a minimum, but so is movement. Characters move slowly or barely at all, unless they need to. This increases tension as each scene refuses to foreshadow what will happen. You have to watch, because it's quite non-verbal. Any stillness is tense because you never know when it's suddenly going to get nasty. Gosling is even more stone-faced, with even less dialogue than in Drive. The other one to watch carefully is Vithaya Pansringarm, as the karaoke-loving ex-cop. The most memorable character is played by Kristin Scott Thomas, completely out of her safety zone as a terrifying, worst-possible mother. 



Afterward the screening, Refn said he doesn't want to be predictable and baulked against cashing in with another Drive. Anyone expecting another Drive won't get it here. Only God Forgives was in fact originally planned as the project he'd make before before Drive. Ryan Gosling only starred in it because the original actor dropped out (to do a superhero movie) leaving Refn all prepared for a project without a leading man! While they were doing the promotional tour for Drive, Refn asked Gosling what his next job was, and was surprised to hear that he'd nothing lined up! That's why Gosling is in Only God Forgives!
Talking afterwards, Refn actually spelled out a few subtexts (that I'd completely missed), and it was a shock to hear a director betraying his intentions while we were still so fresh from it. It has much of the atmospheric mystery and obliqueness of the characters are what I also enjoy about David Lynch's best films. But his comments are completely unlike Lynch's policy of leaving viewers to make up their own minds. Maybe Refn should too.


At the end, he mentioned that he was devoting the near future to working on the proposed Barbarella TV series, and news about him has been rather quiet since.



I looked at the possible music influences on the Drive soundtrack here...