Showing posts with label Australia. Show all posts
Showing posts with label Australia. Show all posts

Friday, 24 September 2010

THE DEVIL'S PLAYGROUND (1976) - a dreadful place for sexual awakening


THE DEVIL'S PLAYGROUND
(1976, Australia)

OK, let's all try sexual abstention...

1953. Boys learning about sex, coping with bedwetting, isolated in a strict boarding school and training for a life of celibacy. A story of the pressures on the pupils (and the teachers) in a Catholic school where a staffroom full of Brothers prepare them for life in a religious order.

I think this film played on the BBC at the end of the seventies and stood out as one of the few films that spoke to me as a sexually-frustrated teenager. Not that I went to a religious school, but many aspects of boys puzzled by puberty are highlighted as they try to obey the restrictive regime of abstention, at the risk of eternal damnation!



The 'Brothers' (teachers) are also fighting their own personal battles, about faith, personal temptation, as well worrying about the rules they're inflicting on the boys.

With the boys straining to avoid masturbation and one of the adult Brothers tormented by temptations of female flesh, illustrated by a frank fantasy of full-frontal nudity... it wasn't a movie I was comfortable watching at home with mother! It echoed many of the themes of Lindsay Anderson's if.... (1968), but presented several similar situations more calmly and realistically.



Recently I wanted to see this again, finding it on DVD in the US rather than Australia, where it's currently out of print.

The Devil's Playground is stronger in the subtler moments when the monks and the boys struggle with everyday universal problems, but almost throws away several pivotal dramatic events. The honesty and realism of the subplots and characters mean that this is a rare and unexploitive treatment of many taboo subjects. These include the typical subjects that men don't always discuss seriously, but stops short of any more sensational themes like sexual abuse.

Beautifully shot and mostly understated, this is a dark slice of life in a strange and hopefully extinct environment.


Nick Tate gives the strongest performance, as the Brother who's happiest when he's away from the school - the actor had just returned from England after starring in Space 1999. Arthur Dignam has the difficult role as the extremely repressed Brother tortured by sexual desire - he was recently seen portraying Ernest Thesiger in the recreation of the filming of The Bride of Frankenstein in Gods and Monsters (1998).

Writer Thomas Keneally has a bit part as eccentric missionary Father Marshall, who appears to be every boy's friend, but delivers a horrifying sermon describing the graphic tortures of Hell. Keneally was a natural choice for the part, having trained as a priest though he later dropped out and married a nun! He's most famous as the author of Schindler's List, so it's really very odd seeing him here as the film's most bizarre-looking character.


The naturalistic lead performance from 13-year old Simon Burke is a central reason that the film works so well and a testament to Schepisi's direction. More recently, Burke appeared with Vin Diesel in Pitch Black! Lastly, Sheila Florance has a bit part, unusually sporting an Irish accent, just before a short appearence in Mad Max and a long stint as Lizzie Birdsworth in Prisoner: Cell Block H.

The Devil's Playground isn't intended as an attack on religion, but rather a critical view of the totalitarian regime inflicted on writer/director Fred Schepisi for two years of his childhood!

Schepisi had to work hard to get the film made and then get it seen. But it soon joined the 'new wave' of Australian cinema, quality films that earned worldwide reputations. It lead to his next movie, The Chant of Jimmie Blacksmith (1978) about a real incident when a young bullied aborigine is driven to murder. Schepisi's later Hollywood work included some rather ordinary comedies but his reworking of the story of Cyrano De Bergerac, Roxanne (1987) with Steve Martin and Darryl Hannah, was easily the funniest.


The US (above) and Australian (pictured at top) DVDs have a director's commentary and a making-of documentary.

Once again, be aware that there are several other movies with the same title.

A more indepth review and plot description here on InFilm Australia.

Friday, 21 May 2010

THE SURVIVOR (1980) - first and best James Herbert adaption


THE SURVIVOR
(1980, Australia)


A ghoulish mystery that should have been the best James Herbert horror movie

 UPDATED March 2012 - now on DVD in the USA 


A chance discovery of a paperback of The Rats in a New Malden newsagents warped my fragile little mind, and made me very interested in James Herbert's horror novels. For a schoolboy in the mid-seventies, his early books were gold - extremely eventful apocalyptic horror and even imaginatively deviant sexual content made him a forerunner to Clive Barker and Shaun Hutson. Indeed, his were the first modern horror books that I read - Stephen King hadn't even published Carrie yet. The Fog and The Survivor were his next two novels, and made the deepest impressions on me.


When John Carpenter's The Fog rolled into UK cinemas in 1980, we Brits assumed that there was only one story called The Fog and the movie was an adaption of Herbert's novel. We only discovered this wasn't the case in the cinema - there was no publicity to warn us otherwise.



The same year, this Australian adaption of The Survivor became the first James Herbert novel to be filmed. Then a US adaption of The Rats (also called Deadly Eyes), but nothing in that film echoed my favourite episodes from the book, and the VHS was so damned dark you could barely see the little critters enjoying their human dinners. Herbert's non-horror Fluke and the non-scary Haunted followed later, making The Survivor the most interesting film of his novels to this date. However if someone like Neil Marshall could film the gory and debauched action of The Fog novel, that would make a wonderful horror epic.



But The Survivor isn't totally satisfying. It's not the best Australian horror film of the period, despite being the most expensive (as noted in the recent Ozploitation documentary
Not Quite Hollywood). I've always put it's failures down to seeing shortened versions and pan-and-scanned VHS tapes. Now I've finally seen it widescreen 2.35 on DVD, it doesn't make much more sense. Indeed the trailer (see below) offers more clues than the movie.



A commercial 747 jet crash lands in an Australian suburb (if it wasn't for the accents, you'd mistake this for the British setting of the book). It had just taken off so the fuel tanks are full. The resulting inferno kills everyone onboard... except for one survivor who staggers from the wreckage - the pilot (Robert Powell).
As the crash investigators trawl through the pieces and the bodies, the pilot can't tell them why the plane fell out of the sky, due to memory loss. As the remaining wreckage is laid out in a huge hangar, some of the witnesses start seeing a little girl who leads them to a violent death...

With several ongoing mysteries
, this should be far more interesting, but the story soon loses its way. The mounting mysterious death toll of witnesses is only once mentioned in a throwaway line. Meaning that it's only really a mystery to us, not to any other character. The story concentrates on the pilot's memory loss, but a local witness (Jenny Agutter) seems to know more, and is far more upset about the crash. Worse still for a horror film, the death scenes are really vague, too offscreen, too slowly-paced. Instead of competing with The Texas Chain Saw Massacre, the director prefers to quote from The Leopard Man (1943). Hardly a match for the violent, disastrous premise. The burns make-up on the crash victims is slightly unsettling, but only the constant screaming that haunts the wreckage is at all effective.

The screams aren't enough to make this nearly as horrific as Herbert's novel. His central story survives, which is what helps the ending to work so well. But along the way, there's not enough sense made of what's happening, that could have built tension for the rest of the running time.
The highlights are the full-scale 747 crash at the start and the spectacular and eerie climax. The crash isn't as devastating as Final Destination, but is impressive nonetheless. The crash site and the investigation hangar are also both realistically and uncomfortably depicted.


Robert Powell (Mahler, Jesus of Nazareth, Asylum) is good, perfectly cast for his haunted look, (he'd just starred in another Australian chiller, Harlequin). He's currently a regular in the soapy UK medical TV drama, Holby City.
Jenny Agutter does the best work, bringing more urgency and intensity to the situation, showcased in a long take where she has to wrestle with her inner demons. Agutter's first Australian film was of course Nicolas Roeg's impressive Walkabout (1971). Her next horror role followed almost immediately - the classic An American Werewolf in London.
Joseph Cotten (Citizen Kane, The Abominable Dr Phibes) is wasted as a priest. And he looks wasted too. This was one of his last screen appearances before he retired from acting.

Knighted Brit Tim Rice (who wrote lyrics for Evita and The Lion King) briefly cameos as a news reporter - I have no idea why.
The memorable soundtrack is composed by the late Brian May, halfway between scoring Mad Max one and two.

David Hemmings is better known as a leading actor in cult movies (Blowup, Barbarella, Deep Red) rather than as a director, probably because his movies are so forgettable. I'm guessing more people have seen his TV work than his films. I love that he directed episodes of The A-Team and Airwolf - about as far from Antonioni as you can get.


The recent UK DVD release (with the fiery plane crash photo cover, shown at top) is 2.35 anamorphic and is a longer version than the Australian DVD (also avoid the older UK skull-faced DVD - it's been cropped to fullscreen). The picture is slightly soft but made from a print in good shape. My copy had a couple of deafening digital audio faults that providing the biggest shocks in the entire film.

This Australian review of their DVD release mentions a running time of 78 mins and a cropped 16:9 aspect. So many compromised editions of the film have been released, I've put off getting this on DVD until now.

In April 2012, Scorpion will release a DVD in the US (artwork above). I'll add details when I get them.
Here's an original trailer on YouTube, spoiling most of the movies highlights...

Sunday, 30 March 2008

Not on DVD: PHOENIX FIVE (1970) - an Aussie Star Trek!

PHOENIX FIVE
(1969, Australia)

TV series - 26 x 25 minutes

Since mentioning this obscure Australian sci-fi show two years ago, I've been trying to track down more information. I was a little disappointed to discover that it’s aimed more at children. But here's an updated, expanded article anyway...

(Original 03/08/06 entry)

Wanting to be Star Trek, but with a budget closer to Star Maidens, was this Australian sci-fi adventure that brought us the intrepid interstellar explorers of the spaceship 'Phoenix Five'. The above picture of the crew of three and their computeroid robot (check out its legs) is from the website of Classic Australian TV - it's the first time I've seen anything from the show for nearly thirty years!

I was scouring the web for years until this site turned up a brief history of the show (and its predecessors), an episode guide and some great publicity stills, including images from the theme tune. To help jog your memory and maybe tantalise you further, get on over to
Classic Australian TV.

My own vague memories of Phoenix Five are of it running on ITV in the mid-seventies on Sunday mornings. I loved the theme tune (a groovy cyclical instrumental) and an alien planet surface looking like the Australian desert, but remembered little else - except that I wanted to see it again!

When even the frankly shoddy Star Maidens
is out on DVD, with even a soundtrack CD release, I fully expect other gems like this to resurface... eventually.


(Update - more about the series)
It's not a classic, but it's watchable in a Skippy, The Bush Kangaroo, Double Deckers sort of way. That is to say, this could still be of interest, if you're nostalgic for TV from the seventies, or can have fun watching low budget TV.

That said, it's not nearly as low budget as a lot of children’s TV today – it’s still got costumes, sets, location filming and is shot on film. It would be kinder to say it's over-ambitious - making an interplanetary adventure with three sets and one model. it also lacks logic, scientific accuracy, realistic characters and aims for the sort of fantasy adventure provided by early Doctor Who. If all that isn't a problem (I know that's a lot of ifs) you might still want to see it.

The opening title sequence (currently here on YouTube) may very well be the highlight of the entire series. Tightly edited scenes to a fantastic sixties track (see below for CD news). I noticed that the background music includes ‘library’ tracks (ready made music that has to be edited to fit your action - cheaper than getting a composer to write music to fit your action). Stranger still, it also uses tracks composed by Peter Thomas for the German TV sci-fi Raumpatrouille (1966, yet another show called Space Patrol).


The crew of the Phoenix Five consists of the unbearably smug Captain Roke and his crew of two cadets and a robot. The control room looks like the bridge of the USS Enterprise crammed into a broom cupboard. Ensign Adam and Cadet Tina sometimes act more like naughty kids, and are forever being scolded or patronised by the Captain.

They spend much of their time flying around in space trying to thwart an evil opponent, usually a guy in fancy dress talking to an unfunny computer. Bizarrely, the baddie's computer is the only one with an Australian accent, everyone else sounds very English.


Even more British is the commander at Space Control, only glimpsed on the viewscreen, notably lampooned in MTV's short-lived X-rated puppet series, the Super Adventure Team.

Despite the Star Trek uniforms, ther's very little space to be seen. Most of the action is described rather than shown. Even if anything happens on their viewscreens, we hardly ever see it – we just see the actors in their little sets describing what’s going on.

The modelwork is very basic but the spaceship sets are more interesting. The better episodes are the ones out on location, on outback desert planets.


Not essential, but not available either. Thanks very much to Peter for some invaluable material in learning more about the elusive Phoenix Five.


New update 02/02/09
There's now a whole episode of Phoenix Five on YouTube, with links to other 1960s Australian sci-fi shows.

New update 26/03/09
Thanks to Joe McIntyre's comment (below), I've finally (after thirty years of yearning) got the full track used for the theme tune on CD. It's called 'Strange Galaxy' and is on this Jack Arel CD, celebrating this French master of lounge music (another of his tracks was used in the final episode of The Prisoner!), with remixes of 'Strange Galaxy' on the bonus CD! It's available from Amazon, but I got mine from MovieGrooves. Result!