HAKABA KITARO anime hits DVD - KITARO manga gets translated

So far, my favourite Miyazaki film is Spirited Away, but for English-speaking countries, any other yokai ghost stories have been thin on the ground. Shigeru Mizuki's GeGeGe No Kitaro manga have provided an almost endless stream of ancient Japanese ghost stories updated to modern times, and depite being aimed at children, are still creepy enough to entrance me without any translations.

So far, the only appearance in the US or UK of the many incarnations of this character has been the DVDs of two recent live-action movies. The stories are more faithfully represented in manga and anime and, despite being nearly fifty years old in Japan, are only just being translated into English.
 

Hakaba Kitaro is a short series aimed at older viewers, and a good starting point for anyone new to the character, as it's the story of Kitaro's origin, in the grislier visual style that he was first drawn in. This 2008 series has just been released on DVD in Australia, before any other Kitaro anime has appeared in the US or UK.

Hakaba Kitaro (Graveyard Kitaro) is a series that I'd recommend. It's bizarre, funny and ghoulish, as well as providing a valuable understanding of a large part of Japanese pop culture. It's been released as a 2-disc DVD boxset - Australia is region 4, PAL system.

Here's the full news story from Twitch with more screengrabs from Hakaba Kitaro.

My preview of Hakaba Kitaro from 2008.

Happily, the first extensive English translation of Mizuki's original manga also arrives this month. A generous selection of classic Kitaro stories have just been published by Drawn & Quarterly. Recommended for any fan of Japanese ghost stories. Here's one of the stories, previewed on CBR.

'Kitaro' follows two other recently translated volumes of Mizuki's work, 'Onward Towards Our Noble Deaths' - about Japan during WW2 and Mizuki's own trials in the South Pacific, and 'Nonnonba' - a wonderful account of his childhood and the adopted 'grandmother' who first introduced him to the ancient ghost stories of Japan.

The Black Hole guide to all of Kitaro's other anime series and films.

MARINE BOY (1966) - series finally hitting DVD in US

Warner Archives have released the early anime series Marine Boy. The story of a young underwater action hero had monsters, sci-fi and a non-stop pace. While the US also had Japanese animation like Astro-Boy and Speed Racer, Marine Boy was the first anime series on British TV, the only one for many years.

The first (of three) seasons is now on sale from the Warner Archive website.

More about Marine Boy here.

SUMMER WARS (2009) - an anime internet disaster movie!

SUMMER WARS

(2009, Japan)

Mind-expanding, family-friendly anime movie

I've been away from anime for too long, after taking a break when Satoshi Kon passed away suddenly, who I regarded as the most consistently interesting director of feature-length anime.

While Summer Wars isn't as completely sci-fi as Satoshi's Paprika (2006), it regularly hits similar heights, providing moments when it feels like your eyes are directly expanding your brain.

It opens with a brilliant, simplified, beautifully-designed, visual summation of the entire internet. In a parallel universe, if the whole world used a single unified browser. Anyone who logs on is represented by one identity, one icon, a little stylised animation of their online self. With this premise, it's easier to follow the story between the real world and the online world.

Summer Wars might have surpassed Paprika in my estimation if it had stayed in cyberspace for the whole movie - which I initially hoped it would. But this is still a hugely impressive.

It isn't a dark and addictive 'loss of identity on the web', as portrayed in the brilliant but downbeat Serial Experiments Lain (1998) (that's now out in the US on blu-ray), but an updated look at how dependent society has now become on the net in so many spheres and by all ages. The setting of an entire Japanese family having their annual get-together pitches the escalating story on TV news, with most family members also connecting online in some way. Importantly, this enables all ages to relate to it.

While this may seem to be a similar pitch for a family audience as a Studio Ghibli film, this is more technical and modern day than a Miyazaki fairy tale. The cyber fighting action (which doesn't dominate the film) might also appeal more directly to teenagers.

After introducing us to the vast, stylised, online world, three teenagers who are still at school kick off the story, as a young man is enticed by his favourite young woman to an important family meal in their countryside mansion. However, he's being deceived and lured into a social trap, also unaware that his online character is about face a mysterious global threat, as the entire internet starts to go wrong.

Director Mamoru Hosoda previously had a big hit with the animated version of The Girl Who Leapt Through Time (2006), which I didn't enjoy nearly as much. Summer Wars is more complex and grander in scale, while at times proving just as fanciful. It's funny, occasionally violent, scary... everything. All while centring on a very traditional Japanese holiday, a view of modern life that we rarely see in the west.

Perfectly designed and directed, there's some beautiful but simple (virtual) camerawork, counterbalancing the dynamic, gravity-light cyberworld.

The story may have a few too many coincidences, but the representation of a whole country as a single extended family makes for a marvellous parable.

Summer Wars is out on DVD and blu-ray in the US and UK.

GYO: TOKYO FISH ATTACK! (2012) - Junji Ito anime adaption

GYO: TOKYO FISH ATTACK!

(2012, Japan)

Don't gyo anywhere near the water...

The DVD cover art makes this look like a Sharktopus derivative (and nowadays, ripping off Roger Corman would be a very low stoop). But it's actually a most welcome feature-length anime adaption of Junji Ito's 2001 manga story, Gyo. Animation makes for a faithful realisation of his visual style and unreal world.

Three students are spending a study vacation on the southern Japanese island of Okinawa. But what they think is a rat running around inside their beach house turns out to be a fish... on legs... stinking like a corpse. Outside, the ocean appears to be emptying - every kind of sea creature is running up the road. Their holiday ends abruptly when a shark appears at their window...

As the creepy crawling catastrophe heads for the cities, humanity gets infected and slaughtered in an escalating variety of nasty...

While a possible root cause is discovered (for me, it doesn't hold enough water), you're invited to revel in the bizarreness and grotesquerie of Ito's nightmare visions.

Ito has written and drawn my favourite scariest manga stories, also inspiring the live-action movies of Uzumaki and the Tomie series (currently numbering nine). The Uzumaki manga is my favourite ever manga story (published in three translated volumes by Viz). But Gyo topped it for gruesomeness and I thought it would defy adaption. While a live-action Gyo would 'out-gross' The Human Centipede, anime is a logical option.

From Junji Ito's original 2001-2002 manga story, Gyo

Anyone new to Juni Ito's stories, or even Japanese horror, needs to be warned that this isn't a traditional disaster/invasion movie. The authorities aren't going to turn up at the end and clear it all up. One hero isn't going to set everything straight. These are explorations of Ito's fears, in this case the ocean, taken to logical extremes, but following dream-logic. The hallucinatory climax brings some of Ito's best work to life in glorious colour...

Some of the isolated weirdness that happens in Gyo has more context in the manga, and could be mistaken for story-points (like the floating fish corpse in the binbag). But they're just extra bizarre ideas that Ito wants to freak us out with.

The anime is quite short (at 71 minutes) but runs at a very fast, multi-legged pace. The chronological events of the manga are slightly scrambled, making the character's logic even harder to follow. Some of the horrors are reassigned to different and new characters (horror-reassignment?), and the scuttling escalation is now rushed and out of sequence. (If the town's overrun by walking fish, I wouldn't stick around...). Initially, the media seems unconcerned, transport runs smoothly, and some of the streets remain strangely clear of ambulatory sea life.

Besides the altered timeline, another deviation from the manga is the addition of more female nudity, sex, and low-angle crotch-shots. Mixing up soft-porn titillation with sexual violence is still a regular trait of adult anime, but the one-sided sexual victimisation of only the female characters really needs to move on and challenge the genre stereotype that has dogged anime, ever since the infamous Legend of the Overfiend followed Akira into international consciousness.

The 3D animation of the fish, sharks and other unearthly creations clashes with the 2D characters as usual, but seeing these creatures so vividly portrayed is a surreal treat.

Early, publicity artwork

I'm delighted that Terror Cotta have released this so quickly (on a region 2 PAL DVD in the UK), rather than the years-long wait we normally have to endure for translated Japanese movies. The extras include an interview with creator Junji Ito, who I'd like to hear a lot more from! The English subtitles are pretty good, but could have done with a spell-checker. There's no option of an English-language dub, which I personally don't miss. But as I've said, the cover art (seen at top) looks like an Asylum movie (and I'd have really liked a reversible option). Though I'll admit that while I liked the original artwork, it's equally misleading.

An anime expansion of the world of Uzumaki would be next on my Ito wishlist...

Here's a short taster of Gyo: Tokyo Fish Attack on YouTube...

Other movies based on Junji Ito manga:

Tomie (1998) and her first seven sequels

Tomie: Unlimited (2011) - a review of the ninth live-action Tomie adaption 

Uzumaki (2000) - movie review 

BLOOD-C (2011) - Saya returns in a bloody new anime

BLOOD-C

(2011, Japan, TV)

You want monsters and bloody mayhem?

(UPDATED - June 2013 - on DVD and blu-ray in the UK and USA)


A twelve-part anime series continues the saga of Saya, the vampire slayer, first seen in the extraordinary short film, Blood The Last Vampire (2000), set during WWII.

Animation house Production I.G eventually followed it up with an epic fifty-part anime series Blood+ in 2005. Then there was a disappointing 2009 live-action adaption of the original short, made in Hong Kong. But with Production I.G again on the case, I was keen for more...

Here, Saya is a girl leading a normal school-life by day, but fighting demons by night. Her father, a priest, has prepared her for daily battles against a ghastly evil that manifests itself as a series of incredible strong and vicious creatures. Young Saya appears to have superhuman strength and amazing sword skills, but still struggles to protect the innocents that the blood-thirsty monsters prey on. As the attacks increase, Saya punishes herself because she can't even protect those she loves...

Blood-C cleverly doesn't immediately reveal its links with the previous stories. Another spin is that the monsters aren't huge vampire bat demons any more. Instead there are an outrageously inventive menagerie of loathsome creatures, each with their own ghastly methods of attack.

The early episodes waste time with her bizarrely traditional and cute school life, with a cast of familiar characters. At school, Saya is indecisive, shy and accident-prone. A very uninteresting alter-ego compared to similar heroines of Buffy The Vampire Slayer and Bleach. It's also mind-boggling how monolithically female anime characters are portrayed. Saya is a young schoolgirl, yet she has unfeasibly large breasts and is shown almost completely naked in the title sequence.

The nudity and bloody mayhem seem to demonstrate that the producers stepped up to new extremes, at odds with the simple set-up and childish humour. The amount of blood and gore is so excessive that TV stations have fogged out sections in a large number of scenes.

Thankfully, the story gets more serious and complex past the first few episodes and the creative blood-letting and imaginative monsters warrant seeing it through to the bloody end. 

The dynamic animation and artistic layouts are up to Production I.G's usual high standards. Like previous series, the music is lush and orchestral.

The entire series of Blood-C is now available on DVD and blu-ray in the UK, and as a combo blu-ray and DVD boxset in the US.

An animated movie has spun off the series and is just about to hit Japanese cinemas in June, Blood-C: the Last Dark.

 

Here's the movie trailer

ASTRO BOY (2009) - looking good, but...

ASTRO BOY
(2009, Hong Kong/USA/Japan co-production)

If only the script had been as good as the animation...

This beloved Japanese manga character became popular in the US when it was one of the first anime series shown on TV, back in the 1960s. Two further series were made in 1980 and 2003 and released in English language versions, but this high-budget feature film attempted to push the character as franchise material, though no sequel is happening. While it was a hit in China, it wasn't in the US... or even Japan.

The origin story of Astro hasn't been changed too drastically, retaining the tragic death of Professor Tenma's son, and the scientist's attempt to create a robot to replace him. But not just any robot. Tenma packs the it with enough 'defence systems' to remain safe from any foreseeable harm. But when Astro is activated and begins to realise his potential, the government want to use him as a weapon, or destroy him for being a potential threat.

During the power struggle over Astro's future, he escapes and runs away to live down below on the Earth's surface. Not in the beautiful floating city where robots do all the dirty work, but the trash-covered remnants of the Earth's surface...

This is a familiar premise, but clumsily outlined with a wordy, patronising prologue, rather than the elegant introduction of Pixar's recent Wall-E.


The futuristic city where Astro Boy lives was always re-imagined for each new anime series. Here the intricate pastel architecture, the designs of the giant robots and police pursuit vehicles are startling at times. The character animation and motion is dynamic and very high quality, as are the blistering action scenes.

The emotional dilemmas that Astro has to face as he finds a new place in the world are also quite tough for a children's film. The relationship with his father is far from the usual depiction of a single parent, and realistically, touchingly performed by Nicolas Cage. Cora (Kristen Bell), the tough girl he befriends, is rather a stock character, reminding me of Penny Robinson from the Lost In Space remake of 1998, though she's likeable enough.

Bill Nighy doesn't cope with voiceover acting at all well, but thankfully his character isn't in there for long. Donald Sutherland is also put in the shade by Nicolas Cage's vocal performance, as a one-note villain who tells us what he wants near the start and keeps on repeating his dastardly schemes if we'd forgotten.

The main drawback with the film were the secondary 'good' mechanical characters. The robot society in Astro Boy are the crux of the manga - future humanity's relationship with sentient robots. Many of Tezuma's original stories dealt with stories of an integrated automated workforce seriously enough to rival and predate subplots in Spielberg's A.I. (2004). This new Astro Boy includes an arena where robots fight each other to destruction, taken from the stories, echoed in A.I..

Apart from the snazzy-looking 'evil' ones, the robots aren't dealt with seriously at all, but as comedy relief. One dimensional characters with poorly underwritten gags that reduce many scenes to the level of tiny tot TV. Bizarrely, these comedy reliefs are part of a robot liberation front, a non-important subplot trading on jokes about powerless grass roots political groups. It's the wrong era for satire like this and feeble humour. Without them, this would be a much stronger film for all ages.

This new Astro Boy movie is available in the UK and US on DVD and blu-ray.

GEGEGE NO KITARO: NIPPON BAKURETSU (2008) - Kitaro's first feature-length anime

GEGEGE NO KITARO: NIPPON BAKURETSU

(2008, Japan)

The first ever feature-length animated Kitaro movie, released as part of the anime series' 40th anniversary, was almost lost among the many other Gegege No Kitaro productions in 2008. There was the second live-action film, the weekly anime series, as well as an OVA mini-series.

Nippon Bakuretsu, (roughly translated as Japan Erupts!) is animated in the same style as the 2007-2009 TV series, featuring all the regular characters and indeed, as many different yokai monsters as they could possibly cram in.

The story begins as usual with a spooky local disturbance, as a schoolgirl is harassed by some scary mirror demons (alarming silvery CGI claws), trying to pull her through to another dimension. Her home life is not untroubled as she has trouble pleasing her extremely strict mother.

Luckily she knows where to find Kitaro's post box and calls on the ghost boy to defend her from the mirror demons. But that's not the end of her problems at school or at home, because she's unwittingly involved in a demonic plot that threatens the entire nation of Japan with destruction that not even Enma, the Lord of the Underworld, can prevent...

The film is quite episodic, with three distinct 'chapters', almost like gaming levels, with foes that keep getting tougher. The final 'boss' that Kitaro faces is the largest yokai monster I've ever seen!

While the animation effects and creature designs are impressive, it all still looks like the TV series with an expanded budget. There's still spectacle and dynamic action that the live-action feature films lacked, I just wouldn't volunteer it as an example of a typical modern Japanese anime feature.

While the latest series has been moodier and scarier than its predecessors, the film shows Kitaro taking more of a beating than usual, with several scenes that would upset his youngest fans. A couple of the lizard monsters were also quite sexual in appearance, another departure from the family-friendly series. I'm not saying this is anything as strong as Legend of the Overfiend, but at one point a flurry of tentacles, teeth and one-eyed monsters did remind me of it...

Gegege No Kitaro: Nihon Bakuretsu is out on DVD and Blu-Ray in Japan, but also on a far cheaper Taiwanese DVD, but none of these have English subtitles. The Taiwan DVD is a good-looking 16:9 anamorphic image, with optional Chinese audio and subtitling.

For more about the many TV and movie incarnations of Gegege No Kitaro, here's my extensive overview.


Lastly, here's a Japanese trailer for the movie on YouTube...

HELL GIRL (2005) - the equalizer from the underworld

HELL GIRL
(2005, Japan, Jigoku Shoujo)

An updated guide to the girl with the internet site who's hooked up to hell
Jigoku (hell) Shoujo (girl). I got into the Hell Girl anime series, but not the Death Note movies. Though the themes are very similar, there's been a lot of noise about one but not the other. It's been a while since I last talked about this dark and addictive anime. So here's an update...

Her name is Ai Enma. She lives with her grandmother in a nice little house by the river, bathed red from the eternal twilight. All very picturesque, but... her little house is IN HELL. She has a COMPUTER FROM HELL and a MOBILE PHONE FROM HELL. Her father is Enma, LORD OF HELL (a figure in Buddhist writings). I don't know what that makes her creepy grandmother, but it can't be good.
She waits for e-mails from the land of the living. Her Hotline To Hell website only appears at midnight to desperate souls with a grievance. All they have to do is enter a name. Hell Girl answers their call by taking revenge for them, by whisking the nominee straight down to hell. But if you summon Hell Girl, you have pay her terrible price... with your soul.

Each episode tells a different story of human cruelty. In the first episode it's a really bad case of bullying at school. As the bullies get more and more creative in their victimisation of one girl, she cracks and seeks revenge the only way possible. She thought that the schoolyard gossip about Hell Girl was just an urban myth, until she checks out the internet... Hell Girl appears, lays out some apt hellish justice, and the girl is bullied no more. But now she bears Hell Girl's mark, guaranteeing that she too will be going to hell when her time eventually comes.

The first series started off with a repetitive string of inhumanity, with Hell Girl's brand of instant justice sorting it out. Each episode ends with her victim being quietly sailed down the river Styx through the gate to hell. While formulaic, it was certainly, strangely satisfying. Not until halfway through the series does an actual story arc appear, when a young journalist starts investigating the truth behind this urban legend...


It's hard to believe that so many would use this solution, considering the price. But it's satisfying to see bad karma going around so quickly. As the series progresses, the stories of revenge get less clear cut, ethically. The anime could even be read as a discussion about capital punishment! Or you could just relax and enjoy its dark charms.

The music is beautiful and eerie (a CD soundtrack has been released for all three anime series), the atmosphere is creepy and the punishments nightmarish. The layouts are colourful and dynamically framed, conjuring up an otherworldly feel.

The anime was quickly remade as a live-action series, using some of the same stories in faithful recreations. There were twelve episodes in all, more frightening than the anime, but retaining the atmosphere and even the same musical themes. This is one of the best Japanese horror TV series I've seen, considering how many awful low-budget 'short story' compendium programmes have been released on DVD in the US. Sayuri Iwata played Ai Enma (pictured above).
Hell Girl's popularity also lead to a second anime series, Jigoku Shoujo Futakomori (2006) which is also 26 episodes long. This time, she's joined by a younger girl, possibly Ai's little sister. But while Ai is quite moral, Kikuri is a playful infant, with an evil sense of mischief. At one point she tries to touch grandma's spinning wheel - the sense of impending disaster is subtle, but you almost don't want to find out what would happen if it ever stopped...

Hell Girl Futakomori explores the lives of Ai's three followers, their backstories, and how they first met Ai. There are also some more difficult cases where Hell Girl's rules are stretched to their limits, not helped by Kikuri getting involved. Again, the series ends with a tense, continuing story over the final episodes, where a young (living) boy gets blamed for Hell Girl's abductions.

In 2008, a third anime series Jigoku Shoujo Mitsugane reached another 26 episodes. The world of Hell Girl is really starting to pass us by. While the first series is out on DVD in the UK and US, the bad news is that nothing else is. No series two or three, or the live-action series.

There are of course Japanese DVDs of all of these, but none have English subtitles. Presumably the stumbling block is the huge expense of dubbing each batch of 26 episodes into English. Annoying for those who just want to watch with subtitles. In Malaysia, I did see a Hong Kong DVD release of the live-action series (pictured above). Meanwhile volumes of a Hell Girl manga (inspired by the anime) continue to get translated. Hopefully, the saga will continue on DVD as well.

Hell Girl overview here on Wikipedia.

Hell Girl season 1 is available as a box set from Amazon and from their Video On Demand service (US only).

AKIRA (1988) - Blu-Ray release of the anime that started it all

Couldn't let the new release of this classic not get a mention in the blog-a-thon...

AKIRA
(1988, Japan)

The movie that woke the world up to anime

For those of who haven't seen it, Akira is set after a third world war, when a new Tokyo has been rebuilt over the ruins of the old. It's a towering, over-populated city similar to the dysfunctional metropolis of Blade Runner. Kaneda and Tetsuo are a couple of young punks in a motorbike gang. When they challenge rivals to a messy high-speed race, their lives change forever. Amidst citywide rioting, Tetsuo swerves to avoid a child in the road. An army helicopter swoops in and picks them both up. His friend Kaneda then has to find why the military don't return Tetsuo from their hospital... From a random street fight, the scale of the story grows alarmingly into a sci-fi story of epic proportions.

Seeing this back in 1991, when Akira was first shown in London's ICA cinema (which is still very dedicated to Asian cinema), I was new to all things Japan. I was floundering among the cultural references, attitudes to feminism, religion and the police, (the anime film Jin-Roh also begins with widespread rioting, making me wonder what it was really like in Japan). But the scale of the story, the humour, the imagination and the animation made it unforgettable.

The heavyweight science fiction story, and the adult content in Akira drew older audiences back to animation. International interest in Japanese anime exploded and never looked back. The same way Ring (1998) ignited worldwide interest in Japanese horror.

Nearly twenty years later, I've not been very cost-effective with my favourite movies. I don't like to watch them too much and 'wear them out'. By the time I'm ready to see them again, they're usually out on a new format. I bought Akira on VHS, laserdisc, DVD, and now fully remastered on Blu-Ray. Returning to Neo-Tokyo was almost like watching it again for the first time.


I'd forgotten the nightmarish shock moments, the network of characters, the uncanny animation of smoke, the use of silence during jaw-dropping plot twists, the amount of blood... It looks and sounds amazing.

Akira was a concerted effort to show that anime wasn't just for kids, and demonstrated that the medium was (then) the only possible way to tell certain stories. Even today, it'll take a huge budget to visualise. The latest news is that a American live-action remake has stalled.

I was also trying to second-guess what it's like for a new audience to see Akira nowadays. The limited use of computer-generated animation in the film (used for one simple, recurring effect) might date the film. But at times it's hard to believe it was made using multi-planed hand-painted cel animation.

Here's a good, technical review of the new release on Blu-Ray.com. Interesting to learn that the capacity of this Blu-Ray release has nearly been filled up by the movie alone, with little room for extras. Good to see that they're dedicated to delivering quality.

The writer of the original manga and director of Akira is Katsuhiro Otomo. Although he hasn't directed as many films as fans would like (Steamboy and the live-action Mushi-shi are his most recent), Otomo's name on anything instantly generates keen interest, like his design work on Freedom Project.

THE SKY CRAWLERS (2008) - new anime from Mamoru Oshii

THE SKY CRAWLERS
(2008, Japan)

While I'm in awe of Mamoru Oshii's achievements, especially the Ghost in the Shell movies, I've yet to enjoy any other films he's directed. Red Spectacles (1987), Avalon (2001) and now The Sky Crawlers all left me cold, and confused. I'd highly recommend other projects which he's an important creative force behind, like Jin-Roh (1998) and Blood - The Last Vampire.

Unfairly perhaps, I watched The Sky Crawlers with sub-standard subtitles (on this Malaysian DVD, pictured below) which fails to introduce the rules of 'the war' or translate the more complex dialogue adequately. But this is also how I first watched Ghost in the Shell 2: Innocence, and it instantly became a favourite film.

On a near-future Earth, young people fight wars so that no-one else has to (it's explained a little more fully than that). A new fighter pilot arrives at an airfield, but is trying to unravel the mysteries surrounding his (pretty, young, female) commander. As fewer of his comrades return from their regular hazardous missions, the truth slowly emerges...

The flying sequences are exceptionally dynamic, the 3D animation almost photo-real. The action is almost too fast to follow, in complete contrast to the slowly developing plot. The fluid and intricately detailed animation of the aerial scenes is also in jarring contrast to the simply-rendered 2D characters, still moving at a jerky eight times a second (the customary speed for Japanese animation). The designwork is exciting, but limited to only a few different types of aircraft.

On the ground, most of the story takes place in dull, muted interiors, reminiscent of wooden-panelled houses of WW2 England - far removed from the sci-fi scenarios anime fans might expect. The drama, basically a two-handed struggle, lost my interest completely. I'm no action junkie, but I just couldn't get involved.

While Innocence was also heavy on philosophy, I at least had a handle on the issues he was exploring, from my knowledge of the Ghost in the Shell universe. I could also enjoy Oshii's very visual imagining of the near future, without fully understanding what was going on. The weighty dialogue was compensated with intricately predicted cities, computers, robots, vehicles...


This isn't the sort of film I can recommend to anyone other than Oshii fans. The aerial scenes are stunning, but unlike Hollywood action films where the effects are special but the plots aren't, the difference here is that the story is not lowbrow, but too highbrow.

The Sky Crawlers will be released on DVD and Blu-Ray on May 26th in the US (cover art at top). I wouldn't recommend anyone jumps the gun with the Malaysian DVD, because the transfer makes the action look juddery. The subtitles are poorly translated and often only flash up for a fraction of a second.