RAUMPATROUILLE (1966) - Germany's SPACE PATROL

RAUMPATROUILLE

(1966, West Germany, TV, Space Patrol))

'The fantastic adventures of the Spaceship Orion'

Some sixties sci-fi that used to look futuristic, now doesn't. But those retro-predictions now provide glimpses of alternate futures of varying optimisms. I've now seen most of what the fifties and sixties offered and am currently in the mood for black-and-white TV shows, like Fireball XL5. There are still a few films from the period that I haven't seen - I only recently caught Planeta Bur from Russia, for instance.

So, if you want to see spaceships taking off from an underwater base via a whirlpool, ironclad beehive hair-dos, space cardigans, and invading aliens (called Frogs), you're in luck. Raumpatrouille (literally Space Patrol) was the first major German sci-fi TV show. It threw a big budget at huge sets and major special effects. As a result of the cost, it only ran for seven one-hour shows, but achieved a unique look - another future that never was. A future where spaceships are spacious, and unnecessarily huge. When Earth is no longer divided up into countries (and, apparently, everyone is now German).

My introduction to the show was through the lounge music par excellence of Peter Thomas, also famous in Germany for his TV themes and krimi movie scores. A European answer to Vic Mizzy, his enthusiastic and eccentric electric tunes aimed at being catchy enough to turn into hit singles. During the lounge revival of the 1990s, several CDs featured his work and the soundtrack for Raumpatrouille even got its own CD release. Not to be confused with the American Space Patrol TV series of 1950, or the British Space Patrol puppet series of 1963, the German series was released on DVD in 1999, and I had to see it.


Now, I've just bought the German three-disc boxset, of 2005 (pictured at top). The first two discs are exactly the same as the 1999 2-disc release (pictured here), which also had all seven episodes, remastered 5.1 audio, plus a few extras. The difference now being a third disc, with additional extras and a 2003 'movie', condensing the series into a single 90 minute storyline. Because of the series' kitsch value in Germany, this re-edited 'redux' adds newly shot scenes of a newscaster setting the scene and filling in the story gaps, but for laughs. It's an easy target to lampoon, but viewers could easily work out for themselves that the hairstyles and dance moves look bizarre. This unwelcome additional footage is intrusive but fairly brief.


The best aspect of the movie version is that it is subtitled in English. Amazon.de lists the 2005 boxset as having English subtitles, but these only appear on the movie condensation, and unfortunately not on the individual episodes. At least we can now it's possible to understand the important plot points of the series. Usefully, this movie version, sometimes called 'the producers cut' is also available as a separate release (pictured here).

The series was digitally remastered for the DVDs and looks brand new. It appears to have been made on 35mm film, but some of the visual effects appear to have been composited electronically - this could either have been pioneering work, or recently added. In any case, there's much to admire. The spaceship is as impressive for its manoeuvrability as its design, though the enemy Frog ships are less convincing as they dart about. Any rare personal appearances by the Frog aliens are ethereal. A haunting effect, seen as barely humanoid, sparkling shadows.


The huge, solid sets, alive with built-in lighting, backlit plastic, and shiny surfaces date from when silver in sci-fi was compulsory. The spaceship interior features control panel designs that defy description and gravity, much like the floating multi-armed robots (see below). The centrepiece is the commander's impressive circular table-top viewscreen, displaying intricate navigational information, (stop-frame animation and back-projected into the set, presumably from below).


But for many, watching the series without subtitles won't be tempting, especially when it's so talky, but the 1999 boxset is now sold for under 10 euros - that's seven hours of future Euro retro, people.

In Germany, the story of the Spaceship Orion and its crew lived on in over 100 paperback novels. The popular Perry Rhodan was more famous for a similar space adventure premise, and ran into hundreds of novels (and two movies, which are also rare outside Germany).


I've not seen any other German sci-fi, except for Star Maidens (1976), a co-production with the UK, where more was spent on hair-styles than special effects. Again, the soundtrack was the series' most memorable legacy.


Do you want to know more?

There are some great stills and memorabilia on this English Peter Thomas site, and there's this extensive German Raumpatrouille fansite - the Starlight Casino.


Here's the opening of episode two, including the original theme tune, on YouTube...

...and here's a recent remix of the theme tune, with clips from the show...